Carlos Guillermo Wilson - Bibliography Bibliography (Cubena) Alley, David C. “Carlos Guillermo Wilson, Los nietos de Felicidad Dolores.” Afro-Hispanic Review, 12, 1, 1993: 53-54. Beltrán, Luis and Angelina Pollak-Eltz. Repertorio Internacional de Especialistas en la “Africanía” (Estudios Afro-Iberoamericanos). Alcalá de Henares: Universidad de Alcalá, 2001: 246. _____, Angelina Pollak-Eltz and Manuel Casado. Repertorio de Especialistas en la “Africanía” (Estudios Afro-Iberoamericanos). Alcalá de Henares, 1997: 173. Birmingham-Pokorny, Elba. “Interview with Dr. Carlos Guillermo Wilson,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami, Florida: Ediciones Universal, 1993: 15-25. _____.“The Emergence of the New Afro-Hispanic Woman in Carlos Guillermo Wilson's Cuentos del Negro Cubena and Chombo,” Denouncement, 109-118; Proceedings of the Black Image in Latin American Culture, 2, 1989. _____. “The Afro-Hispanic Woman's Role in the Re-Writing of Her History in Carlos Guillermo Wilson's Los nietos de Felicidad Dolores,” Denouncement, 119-128; Proceedings of the Image(s) of the Afro-Hispanic Woman in Latin American Literature and Culture, 3, 1990. _____. “La recuperación del pasado histórico y la reafirmación de la identidad afro-panameña en Los nietos de Felicidad Dolores,” Denouncement,. 1993: 129-138. _____. “Renewal and Reaffirmation: The Aesthetic and Ideological Impact of Carlos Guillermo Wilson's Los nietos de Felicidad Dolores,” Denouncement,. 139-150; Diáspora, 1, 1991. _____. An English Anthology of Afro-Hispanic Writers of the Twentieth Century, Miami: Universal, 1995: 35-43. _____. “Interview with Dr. Carlos Guillermo Wilson (Cubena).” E. Birmingham-Pokorny. Confluencia, 6, 1, 1991: 127-133. _____. “El concepto de negritud en Carlos Guillermo Wilson,” Proceedings of the Image(s) of the Afro-Hispanic Woman in Latin American Literature and Culture, 3, 1990. _____. “Voices of Social Protest and Alienation in Carlos Guillermo Wilson’s Cuentos del Negro Cubena,” Proceedings of The Black Image in Latin American Literature, 1, 1988:121. Cabello-Castellet, George T. “El concepto de negritud en Carlos Guillermo Wilson,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. E. Birmingham-Pokorny. Miami, FL: E.Universal, 1993: 27-35. Carter, Sheila. “Women in Carlos Guillermo Wilson's Chombo.” Afro-Hispanic Review, 4, 2-3, 1985: 22-28. Clemons, Brenda Frazier. “Chombo by Cubena,” Afro-Hispanic Review, 1, 1, 1982: 33. Dixon, Heriberto. “Chombo by Cubena: Reseña.” Hispamérica, 38, 1984: 94-96. Edison, Thomas Wayne. “Correcting ‘a Touch of the Brush”: Afro-Caribbean Racial Identity and Shame in Francisco Arriví’s Los vejigantes and Carlos Guillermo Wilson’s Chombo.”Afro-Hispanic Review, 23,2, Fall 2004: 45-53. _____. “The Afro-Caribbean Novels of Resistance of Alejo Carpentier, Quince Duncan, Carlos Guillermo Wilson, and Manuel Zapata Olivella,” Ph.D. diss., Kentucky, 2002. _____.“Humor and Satire: Ammunition in Carlos Guillermo Wilson’s Resistance Novel, Chombo,” CLA Journal, XLIII, 4, 2000: 494-511. Finn Julio. Voices of Negritude. London: Quartet Books, 1988: 169-171. García Saucedo, Jaime. “Pensamientos del Negro Cubena.” La República (Panamá), 9 de septiembre de 1980. Irwig, Michael. “Recobrando la dignidad: el camino no escogido en las obras de Quince Duncan y Carlos Guillermo Wilson.” (Honors Thesis, Vanderbilt University, Tennessee, 1995). Jackson, Richard L. Black Writers and the Hispanic Canon. New York: Twayne Publishers, 1997: 72-87. _____. Ebe Yiye-- “The Future Will Be Better”: An Update on Panama from Black Cubena. Black Writers in Latin America. Albuquerque: U. of New Mexico Press, 1979: 180-190. _____.“The Continuing Quest.” Black Literature and Humanism in Latin America. Athens, GA: The University of Georgia Press, 1988: 68-97. _____. Black Writers and Latin America. Washington, D.C.: Howard University Press, 1998. _____. The Afro-Hispanic American Author II: The 1980s. West Cornwall, CT: Locust Hill Press, 1989. _____. The Afro-Hispanic Author. New York: Garland Publishing, Inc., 1980: 116-117. _____.“Escritores Afro-centroamericanos contemporáneos,” La literatura centroamericana como arma cultural. Guatemala: CILCA, 1999: 29-39. _____.“The Emergence of Afro-Hispanic Literature,” Afro-Hispanic Review, 10, 3, 1991: 4-10. _____. “Afro-Hispanic Literature,” Callaloo, 10, 4, 1987: 732-739. _____. “The Black Novel in Latin America Today,” Chasqui, 16, 2-3, 1987: 23-36. _____. “Chimurenga: Literature and Black Liberation in Spanish America,” Repression and Liberation in Latin America. Ed. J. Nef. Ottawa: Calacs, 1981: 18-27. Lindsay, Arturo. “Review of Chombo, a novel by Carlos Guillermo Wilson ‘Cubena’,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami: Universal, 1993: 73-78. Maloney, Gerardo. “En las letras: Cuentos del Negro Cubena.” El Dominical (Panamá) 28 de agosto de 1977. Martínez-Echazábal, Lourdes. “Hybridity and Diasporization in the ‘Black Atlantic’: The Case of Chombo.” Publication of the Afro-Latin/American Research Association, 1, 1997: 117-129. Mercurius, Jeanette E. “Cuentos del negro Cubena: A Review,” Modern Language Review (University of Guyana), 1, 1, 1977-78: 84-89. Miller, Barbara D. “Context, Reversal and Difference in Cubena's Chombo,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami: Universal, 1993: 79-91. Miller, Ingrid Watson. Afro-Hispanic Literature: An Anthology of Hispanic Writers of African Ancestry. Miami: Universal, 1991: 79-84. Miró Grimaldo, Rodrigo. “Carlos Guillermo Wilson, el Negro Cubena.” La Prensa (Panamá), 31 de julio de 1995. Morris, Margaret Lindsay. An Introduction to Selected Afro-Latino Writers. Lewiston, New York: The Edwin Mellen Press, 2003: 57-60. Newland, Earl. “Carlos Guillermo Wilson: An Interview.” The Panama American (Panamá), Sept. 8, 1976: 11. Ortiz, Arturo. “Una desficcionalización de la historia,” Proceedings of the Black Image in Latin American Culture, 2, 1989. Ossers-Cabrera, Manuel A. “Concientización divergente entre la poesía negra de Carlos Guillermo Wilson y Nicolás Guillén,” Denouncement and Reaffirmation of the Afro- Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami: Universal, 1993: 47-58. Pokorny-Birmingham, Hewitt. “Positive and Negative Views Concerning the Role of Religion in Carlos Guillermo Wilson’s Los nietos de Felicidad Dolores,” Diáspora, 1, 1991: 225-32 Porras, Jorge E. “Lengua e identidad en Chombo de Cubena,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami: Universal, 1993: 93-108. Powers, Michael K. “The Myths Regarding the Eurocentric Ties to Africa in Carlos Guillermo Wilson’s Los nietos de Felicidad Dolores,” Diáspora, 1, 1, 1991: 233-241. Rodríguez-Florido, Jorge J. “Indagación de la raza y denuncia anti-imperialista en El pensamiento de negro Cubena,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed.Elba Birmingham-Pokorny. Miami: Universal, 1993: 37-45. Seales-Soley, LaVerne. “Las obras de Carlos Guillermo ‘Cubena’ Wilson a la luz de las teorías postcoloniales,” Ph.D. diss., State University of New York at Buffalo, 2000. _____.“El panameño de descendencia afro-antillana como autor y como personaje: El caso de Carlos Guillermo Cubena Wilson,”Istmo: Revista virtual de estudios literarios y culturales centroamericanos, No. 5 enero – junio 2003. http://www.denison.edu/collaborations/istmo/n05/articulos/panameno.html _____.“Wilson, Carlos Guillermo,” Africana: Encyclopedia. New York: Perseus Publishing, 1999: 2002-2003. _____.“Wilson, Carlos Guillermo,” Encarta Africana, an encyclopedia in CD-ROM. Microsoft Corporation, 1999. _____.“Entrevista con Carlos Guillermo ‘Cubena’ Wilson,” Afro-Hispanic Review, 17, 2, 1998: 67-69. Smart, Ian. “Cubena's West Indian Rage.” Central American Writers of West Indian Origin: A New Hispanic Literature. Washington, D.C.: Three Continents Press, 1984: 69-86. _____.“The West Indian Presence in the Works of Three New Central American Writers.” Design and Intent in African Literature. Eds. Dorsey et alii. Washington, D.C.: Three Continents, 1982: 119-132. _____. “Big Rage & Big Romance: Discovering a New Panamanian Writer.” Caribbean Review, (Summer, 1979): 34-38. _____. “The tremendismo negrista in Cuentos del negro Cubena,” Studies in Afro-Hispanic Literature. Eds. C. Rabassa and G. Seda-Rodríguez, 2-3, 1978: 41-52. _____. “Cubena (Carlos Guillermo Wilson), Cuentos del negro Cubena,” Afro-Americans in New York Life and History, 2, 1, 1978: 88-90. Stephenson, Sonja N. “’Black Atlantic’ Cultural Politics as Reflected in Panamanian Literature,” Ph.D. diss. University of Tennesssee, 2005. Vieira-King, Rosangela. “Análisis semiótico de Pensamientos del negro Cubena,” Denouncement and Reaffirmation of the Afro-Hispanic Indentity in Carlos Guillermo Wilson’s Works. Ed. Elba Birmingham-Pokorny. Miami: Universal, 1993: 59-71. Williams, Lorna. “Carlos Guillermo Wilson and the Dialectics of Ethnicity in Panama.” Afro- Hispanic Review, 4, 2-3, 1985: 11-16. Williams Elliot, Avis Ariadna. “La presencia negra en la poesía panameña.” Essay for Master of Arts, The Pennsylvania State University, September 25, 1995. Zoggyie, Haakayoo. In Search of the Fathers: The Poetics of Disalienation in the Narrative of Two Contemporary Afro-Hispanic Writers. New Orleans: University Press of the South, 2003. _____. “Carlos Guillermo Wilson and the Politics of Identity in Panamá: The Case of Los Nietos de Felicidad Dolores,” Cultural Patrimony: Africa, New World Connetions, and Identities.” Editor, Niyi Afolabi. Africa World Press: Trenton, NJ, 2003: 335-346. _____.“Transgressive Tales, Subversive Laughs: Reading Carlos Guillermo Wilson’s Chombo as Satire.” CLA Journal 42.2, December 2003: 193-411. _____.“Ubicaciones de la identidad en Chombo, de Carlos Guillermo Wilson,” Afro-Hispanic Review, 19, 2, 2000: 53-58. _____.“The Poetics of Disalienation in the Novelistic Work of Manuel Zapata Olivella and Carlos Guillermo Wilson.” Ph.D. diss., University of Cincinnati, 1998. ©2005 Cubena